About Peter Haken
Documentary wedding photography and films with grit, soul and restraint
I photograph and film weddings quietly, without turning the day into a production. The work is about honest moments, real atmosphere, natural movement and a strong sense of what actually happened.
Photography is at the heart of what I do, but films now sit alongside it for couples who want the voices, speeches, movement and sound of the day preserved as well.
The Way I See a Wedding
My approach is shaped by observation, patience, street photography, life on the water and the slower way of working that comes with Leica cameras.
I am interested in the parts of a wedding that cannot be repeated. A glance across a room. A hand on a shoulder. The table half-cleared after dinner. The voices during speeches. The dancefloor, when the shape of the day finally loosens.
That is where the soul of the day sits. Not in heavy staging or forced performance, but in the real movement between people.
Photography First, Film With the Same Instinct
Photography remains the foundation of my work. I look for timing, light, expression, shape and the quiet details that give a still image weight.
However, some parts of a wedding need sound and movement. Vows, speeches, laughter, footsteps, music and the atmosphere of a room can carry memory in a different way.
That is why my wedding films follow the same documentary approach as the photographs. They are built from real sound, honest movement and the natural rhythm of the day, not staged scenes or repeated moments.
“Super natural, real and simply amazing shots. Pete has a superpower.”

Shaped by Life on the Water
Living on a narrowboat changes how you notice things. Light, weather, movement, space and timing all matter. Nothing stays fixed for long, so you learn to pay attention.
That instinct carries into my wedding photography and films. I watch how people move through a room, how the light changes, how a place affects the feel of the day, and where the real moments are starting to happen.
It is not about turning your wedding into a story that was never there. It is about recognising the story already happening in front of me.
The Leica Approach
I work with Leica cameras because they suit the way I photograph weddings. They are smaller, quieter and less intrusive than a heavy production setup.
The point is not the gear. The point is what it allows: fewer interruptions, closer observation and photographs that feel held rather than forced.
For weddings, that matters. People behave differently when they are not being over-managed. The room breathes better, the day moves more naturally, and the photographs carry more truth.
What This Means on the Day
I work calmly and keep the footprint light. I am not there to dominate the room, stop the day every few minutes or force people into a version of themselves that does not feel real.
When direction is useful, I give it. Family photographs and couple portraits are handled with care, but without dragging the day away from its own rhythm.
Most of the time, I am watching, moving and waiting for the right moments to form. That is where the strongest photographs and films usually come from.
Wedding Photography and Films Across the South
I am based in Oxford and work across Oxfordshire, the Cotswolds, Berkshire, Bristol, London and selected UK locations.
I also split time along the Kennet and Avon, so Berkshire, Bath, Bristol and the wider South sit naturally within my wedding photography and film coverage.
Every place has its own rhythm. Oxfordshire has history and stillness. The Cotswolds has stone, weather and countryside atmosphere. Bristol has city movement and texture. I try to let each place stay present in the final story.
If This Sounds Like Your Kind of Wedding Coverage
If you want calm documentary coverage, honest photographs and natural wedding films that do not turn the day into a performance, send me your date, venue and a few details about what you are planning.
I will let you know if I am available and suggest the best way to cover the day properly.